The Clark Center for Japanese Art and Culture

 

Traces of China: The Japanese Transformation of Chinese Theme and Techniques, April 5 – August 2, 2008

 

Yokoyama Kazan (1784837), Gathering at the Orchid Pavillion. Mid Edo period (early 19th century). Six-panel folding screen; color on gold leaf, 165.0 x 355.4 cm. (Clark Center Permanent Collection)

 

The geographical closeness between the Chinese mainland and the Japanese isles laid ground for recurring waves of political and cultural streams which spilled over from China, via Korea into Japan. From the writing system to philosophical and religious ideas like Confucianism and Buddhism, China's omnipresence in Japan was already vital during the Heian period (794-1185) when the Tang dynasty (618-906) ruled over China.

 

Independent from the political situation like invasion attempts from both sides, Chinese art was and still is today highly valued in Japan. In the sixteenth century, Japanese artists and patrons claimed Chinese antiques as part of their own cultural heritage.

 

Chinese artworks were detached from their original function and assimilated to the Japanese way of presenting and appreciating art. Chinese subjects and motifs were taken up by Japanese artists who tried to visualize their imagination of China, even though only very few of them ever had the chance to see it with their own eyes.

 

Chinese objects and techniques served as models from which Japanese artists developed their own unique and inventive styles and forms.

 

The spring exhibition at The Clark Center for Japanese Art and Culture focuses on the traces of China that are found in Japanese art. It presents Chinese themes like idealized landscapes and introduces also Chinese painting and ceramic techniques that were employed by Japanese artists.

 

Ranging from the fourteenth century to the present day, this exhibition provides a lively account of China's influence on Japanese art.

 

A separate section of this exhibition presents a selection of Bonsai trees, an art form that originally derived from China and became an inevitable part of Japanese culture.

 

The exhibition will open on April 5 and run through August 2. The gallery is open between 1 and 5 pm, Tuesdays through Saturdays and is closed on national holidays.